Incubus – Festival Hall Melbourne – Feb 7, 2012

February 7th, 2012 by dan

OK – so tonight I witnessed something that can only be described as AMAZEBALLS!!!

Sometime last week…I got asked if I was going to see Incubus. Of course I wasn’t! I mean, I hadn’t really listened to much since Light Grenades – in fact, I had hardly even listened to that! But anyone, I was told I could get a ticket for $60 and having just missed out on tickets to Bush I figured why not spend the cash I was using for that on Incubus instead.

So off I went with my fingers well and truly crossed that they would pull out some of the old stuff that I loved so much.

Well, you know that it is going to be a good show when they open with Megalomaniac and Pardon Me (or was it New Skin?). Honestly, I can’t remember. I never can remember set list orders, most gigs are just a blur of songs! I can’t even remember what my own band plays half the time!

What I can say is that those 3 songs we played, as were all of their hits and some randoms from all the albums. My favourite of the night being Are You In.

There were also some new songs in there that I have never heard, including a track called Switchblade that I thoroughly enjoyed. I think I might actually be grabbing this new album….

The night ended in spectacular fashion with a little Monkey Magic into A Certain Shade of Green! Gotta love a short and very, very sweet encore!!

**as a footnote, I just had a look at Wiki and it seems that this new album is the only one since Light Grenades, so I am not that far behind. I must all the albums in the shelves somewhere in that case**

Funk. Punk. Rock and Hip Hop??

January 17th, 2012 by dan

You know, I couldn’t tell you the exact year, but it was somewhere back in the early 90s. Definitely post 1991 – because there isn’t much I forget about that year. Most likely 1993 because of the Coneheads movie. It is hard to say.

Somewhere roughly 20 years ago, however, I was introduced to a band that musically would be one of the biggest influences on me and certainly on me taking up bass. That band was the Red Hot Chili Peppers.

Now there are 2 options for the first song I remember hearing of theirs. It was either Soul To Squeeze, thanks to the aforementioned movie, or the one that is probably their most famous song, Under the Bridge.

I don’t think I really need to explain what genre they fit into (is there just one?). But there was something about that bass playing that made my ears go, “WOW!”. I don’t care what people say, Flea is one talented mofo on a bass guitar! Not only when it comes to the RHCP, but there are also his brilliant bass lines in songs such as Young MC’s Bust A Move and Alanis Morrisette’s You Oughta Know amongst many many many others.

But tonight, I am going to leave you with the classic, this time live from Slane Castle, Under the Bridge.
Enjoy. Go buy their albums, especially anything before By The Way. ;)

Late 90s Pop-Punk and What it Did for Me

January 12th, 2012 by dan

Growing up I had the privilege of living in a house with a small, but very good record collection. Lots of Beatles, Stones and other assorted 60s and 70s pop/rock music. Some classics. I wasn’t born then, but during 1991 I spent a lot of time at home listening to these albums. It was basically got me hooked on music. That year also marked the year where I was no longer able to play sport. So spending hours listening to music evolved into wanting to play guitar, which eventually led me to the bass.

I listened to just about every genre of music between then and now. But one of the biggest impacts came in the late 90s. In 1997 I heard The Living End for the first time and gave me my first foray into the Aussie pop-punk scene. While not technically pop-punk, a lot of bands they played with were. In 1998 I started uni and one of my best friends at uni happened to be BIG into this scene.

It was then I was loaned a tape of one of Melbourne’s – actually Australia’s – best bands in this scene. Bodyjar. This tape was the Glossy Books EP. Before No Touch Red, and everything else that made them a success.

Their gigs were high energy, they always had great local supports and everyone had a great time at their shows. There were a lot of other bands in this scene both here and overseas that influenced a lot of my first original bands music. Bands like Unwritten Law, Millencollin, No Use For A Name, Tiltmeter and even the big OS acts like Blink-182 and Green Day – plus a heap more!!

I read yesterday that Bodyjar are reforming for some shows with Game Over, Antiskeptic, One Dollar Short and For Amusement Only and will be playing their entire No Touch Red album!! Bam!! This gig reminds me of being 20 years old again! Those were the days!!

So anyway, I will leave you with one of the first Bodyjar songs I ever heard – Glossy Books!

Thanks Lauren for putting me onto such an awesome band!!

Glossy Books

Welcome 2012!

January 10th, 2012 by dan

OK – So I say this every single time I write a blog post, “I am going to do this more regularly!”.

Well….this time I mean it!! On my facebook page – http://www.facebook.com/danstonebass – I am going to be regularly posting clips from artists that in some way have influenced me in becoming the musician that I am today. Whether it be something about them personally, a single track they released once upon a time or their entire back catalogue.

I started today with the Soundgarden Black Hole Sun clip: http://youtu.be/3mbBbFH9fAg

I posted this as I am seeing them on Jan 25. This will be the first time I have seen them live and I am very much looking forward to it. Chris Cornell has such an amazing voice. Kim Thayil some killer guitar riffs and Matt Cameron is one of the best drummers to come out the 90s “grunge” scene having played with not only Soundgarden, but at various points in time Pearl Jam and the Smashing Pumpkins. And I can’t leave out some phenominal bass playing from Ben Shepherd.

The Black Hole Sun clip is the first Soundgarden clip I remember seeing. And if you have seen it you will know why. It’s pretty out there!

Anyway, click the links and check out my Facebook page and the Soundgarden clip and stay tuned for more regular updates on all sorts of things music.

Keep Rockin’
Dan

Time for a Little Music Store Rant…

July 16th, 2011 by dan

So, as you all know, I play bass guitar. Now, these wonderful instruments come in many varied shapes, colours and sizes but most importantly come in several string configurations, mostly, 4, 5 and 6 (and usually in that popularity). My issue comes with music stores – even those that specialise in my favourite instrument stocking such a small selection of 5 string basses.

In the last 10 years especially the 5 string bass, IMO, has slowly been taking over the bass playing world. You would be hard pressed to find someone who doesn’t own one. So why when I walk into a bass store do I find maybe only 10-15% of basses in the store are 5 string basses.

Don’t get me wrong, I love a good 4 string bass, but the work I do in the music business, I need a 5. So it frustrates me when bass companies are taking the effort to make 5 string versions on their great basses, why don’t the stores stock them?

This is not 1980, there is more than Fender out there. Now I understand that retail is tough these days and you only want on your walls what is going to sell, but how am I even going to consider laying down some hard earned on a bass I can’t even get my hands on first?

Help a brother out!

What Music Means to Me.

July 11th, 2011 by dan

So, I have just joined a new band. I was asked by the lead singer, Craig, to put down a few thoughts for a blog on their website. I started writing this and couldn’t stop. So I rewrote it to a couple of paragraphs for that and decided to keep this for my page. It was written on Saturday just throwing a bunch of thoughts and feelings out there. At the end is some more a few days later.

As a musician I’d be lying if I said I never wanted to play on the biggest stages in front of 1000s of people. Everyone has a dream and this has been mine from the moment I first picked up a bass guitar 14 years ago. I have been told that if you believe in your dreams you can make them happen. That you create your own “luck”. Your own opportunities. For the last 14 years my dream has been to play on the biggest stages in the world in front of 1000s of people. Not for the fame or fortune, but to share my love of music with the world. To have people walk away with a smile on their face, to experience the joy of music that I have when I listen and play it. My motto in life comes from Nietzsche, “Without music, life would be a mistake”.  Slogging away in Melbourne pubs playing in original and cover bands sometimes you think that is never going to happen. You may lose sight of your dream and begin to doubt your abilities but the dream never goes away. Sometimes all it takes is a change of attitude. One late night, while in conversation with a very talented drummer friend, Christian Nativo, I knew I needed a change in attitude. At that moment I made the decision to not give up on my dream.

The world works in funny ways, because the very next morning I woke up to a message from a guitarist I knew asking if I was interested in joining an original band. My only gig at the time was a regular gig with a rockin’ cover band having almost given up on the original scene in Melbourne. I had done the hard yards for the better part of a decade playing tiny bars to the same faces for the pure pleasure of playing in front of people. Most of my musician friends know the story, paying for rehearsals every week just so you can pay the sound guy more than you make at a gig so your girlfriend and mum can hear the same 10 songs gig after gig. In the message were a name, and the comment, “Check out some of their stuff on Youtube.” I knew even without opening up Youtube that this band was going to be different. You know that feeling you get. Intuition. These things don’t just happen. I clicked away.

Within 24 hours I had been sent 5 songs of the upcoming album “NEW WORLD ORDER” to learn for a “jam”. Now I am one of those guys who isn’t often impressed with what artists/musicians/bands are putting out these days – in fact, there has only been one album released this year that has made me stand up and say “WOW” (Foo Fighters’ Wasting Light) until I heard these songs. That doubt once again filled my head. The negative thoughts, those ones that hold you back. Those voices that tell you that you are in over your head. That you are not good enough. Then I remembered my dream, my new attitude and the knowledge that these guys knew what they were doing. I was waking up with these songs in my head. I ate, breathed and slept these songs. Whatever it took, I wanted a piece of this. No…I was going to get a piece of this. This was what hours spent wearing my fingers down over a bass guitar for the past 14 years at lessons, the bedroom, rehearsal rooms and stages was for. This was my time!

Walking into the audition it was like no other audition I had been too. There were no egos. No heroes. Only a bunch of guys who knew what they were doing and where they were going. I felt at home. In fact, it didn’t feel like an audition at all. It already felt like I was part of the band.

I have played with talented musicians, inspired songwriters and people with so much belief in what they do that it is not funny, but it wasn’t until walking into that rehearsal room that I have played with a whole band that combines all of these. On top of that they have a trust in each other and the music they are playing that I have never before seen in a band.

It is an honour and a privilege to share the stage with and call these amazing musicians my band mates. I can not wait to share this album with all the fans all over the world. To show the world that honest rock n roll still exists in the world. There is a reason the new album is called “NEW WORLD ORDER” – that is exactly what Velvet City is bringing to the airwaves around the world.

Here are the thoughts from the past day or so.

So last night, Sunday, I was chatting to my mate Damien, a fellow bass player who loves gear as much as me, and a chat as much as me. He asks about the new band and all these things start coming into my head. A lot of it related to what I wrote above. But the thing I notice is that the reality is starting to set in. The reality that this band has what it takes to make my dreams come true. In the space of three weeks I have gone from wondering where music is going for me to being exactly where I want it to be. Heading in the direction that I want it to be heading. With a group of guys who share a dream and passion that is so much aligned with mine. I was telling Damo all the things going through my head and I had tears in my eyes.

Music is an emotional thing for me. Behind my daughter, my girlfriend, my family and a couple of good friends nothing else even comes close to being as important or emotional for me as music is. Like everyone it can change the way you feel in an instant. For me it is an escape. When I was 11 years old all I could imagine was being a professional tennis player or a fighter pilot. Then I was diagnosed with osteosarcoma. I went through 12 months of chemo and a total hip replacement. My life – as I knew it – and dreams were destroyed in 1 sentence. I would never play tennis and there was no way I could ever pass an air force physical. I couldn’t even go to school. I spent my days in bed or on the couch. Some days I had the energy to go to the dining room where our stereo was and play my Dad’s old records. That started an obsession. I would listen to anything. Rage became a weekend staple for me. I had always played music. Piano and flute. Then at around 14 I decided I wanted to play guitar. So for my 15th birthday my Dad took me to get my first guitar. A few months later it was sitting in the cupboard until 3 years later a few schoolmates and I started jamming. When we decided to start a band I got my first bass and the dream began.

And now I find myself playing bass for Velvet City. Currently learning songs for the forthcoming album “NEW WORLD ORDER”. I can’t get these tunes out of my head. I wake up with them. I drive with them and all day at work they are playing in my head. What my coworkers must think as I start whistling the melody of one of them. I can already see us playing on the big stages not just here but everywhere. You know when things are right when you rock up to your first meeting with them and the guitarist has brought along his projector to show some ideas for video backdrops at shows that aren’t even booked yet. Entirely synched with the music!! Who does that?!?! That’s right….guys who are serious about making their dream come true. People who believe in each other, believe in the product and most of all believe in themselves. People who are so committed to making it happen that nothing is done half-assed. There is no “She’ll be right”. The songwriting is some of the best I have heard in years. The production is brilliant. The focus and determination is something I have never seen. Say something is going to be done. It’s done! You get what I am saying. We are not waiting for things to come for us. Whatever it takes we will make things happen. I was told something once by a very inspirational person, Kurek Ashley, “You either EVOLVE or DISSOLVE”. In other words, where the line is now is not where it will be in 6 weeks time, 6 months time or 6 years time. You have to keep changing to stay at the front of the pack. Most bands wait for that big break. The ones who get that break make it happen. This is what Velvet City is doing and this is why I wanted so much to be a part of it. Why I am so grateful to be a part of it. I can’t wait for the next rehearsal, or the one after.

Well, this has gone on much longer than I thought. I think most of what I wanted to get across I already did before I wrote tonight’s part. But I needed to get this stuff out on “paper”. To really process it.

If you have made it this far I sincerely thank you from the bottom of my heart for taking the time to read it. I am sure there is repetition but so be it. Mostly this was for me. I hope you enjoyed it. Feel free to share your comments. In the simplest of terms I play music because it makes me happy. But why should I be selfish and keep that to myself. I want everyone to get the same emotion out of music as I do.

Thank you.

OzBass.com Melbourne GTG – Jan 15, 2011

January 17th, 2011 by dan

An early start to another warm Summer’s day in Melbourne, only this time the sun is shining brightly – a change from the 3 days prior that were hot and steamy set’s the stage the the 1st Official Ozbass Melbourne GTG.

While the get together itself doesn’t start until 1pm, the special guest of the day is arriving at around 10:15 on a flight from Brisbane. The man who started the forum and luthier Phil Mailloux. He is coming down to meet a few of the guys and show off some of his fine work. We have a couple of hours to kill, so I take us into South Melbourne where we grab a quick bite to eat and take Phil for a visit to Melbourne’s only bass only shop, Bass Centre. After meeting the crew and showing off his work we head out to Rosanna to spend the afternoon with around 15 other like minded individuals – gear obsessed bass players!

We rock up about 30 mins after the official kickoff and enter to a wall of noise. To the left is a rack of Warwick basses, infront, the smallest bass “stack” I have ever seen (consisting of 2 Markbass 604 cabs) in the shadows of the biggest I have ever seen – the monster Eden rig!

Edenrig

Across in the far right of the room is a sweet GK rig that is mighty familiar to me, belonging to my friend Jono, then a small Genz Benz/Bergantino rig with about 4 basses around it and just inside the door to my right is a TecAmp rig. I recognise that rig as it is almost identical to mine.

I setup my rig next to the GK rig and start to mingle. Catching up with old friends and meeting new ones. Most of these people are extremely active on the forum and so it is like we are all old friends. In the meantime, we have another arrival, lugging in the most classic of bass rigs, the Ampeg SVT and 810 “fridge”!! It gets setup almost directly opposite that monster Eden rig and we know we are in for some trouble walking up and down the room!!

It is at this point that we decide we should all go around the room and introduce our gear. Basses ranged from the entry level (but still fantastic) OLP Stingray copy to my Ernie Ball Musicman basses to Warwicks to super jazz style basses built by Phil, Xotic and Low End Jazz to some fretless wonders and the weird and wild collection of Rob Kidd – Industrial designer and bass aficionado.

Here are some shots of the basses:

Rob Kidd's Jazz/Stingray bass

Rob's 7 string beast!

Fretless Bee Bass

Xotic Jazz 5

Belman Classic 5

The Low End Jazz Collection

Phil's creations

Amps ranged from the aforementioned Ampeg and Eden’s, to the more modern lightweight TecAmp Puma 1000 and EA micro amps. The one thing to note is that no matter the size, or the weight, they all packed a massive punch. But I think everyone was left in awe of the sheer power of the Ampeg SVT rig!! Loud, punchy and the tastiest of tube amp overdrive you can imagine. Pedals are great, but nothing compares to overdriving the tubes in an amp like that – even if your insides melt at the sound produced!

I won’t go into too many details on the amps, or clog this blog up with photos of them, but you can see all the photos I took on the day here.

What I will do though is give you a rundown on some of my highlights for the day:

  • I think the biggest impact for me on the day was Rob’s red Jazz/Stingray. Built himself, the neck s modelled off a Stingray, the body the traditional jazz bass. The rear of the body though is cutaway at the point where the neck meets the body to make access to the upper frets very easy! The pickup is a Nordstrand MM5 pup that Rob rewound himself in order to make it angled. He also designed and built the preamp and switching system himself. Suffice to say this bass is the bass I dream about at night. The sound. The feel. The look. This bass sounded so good in every switch position (something I find doesn’t happen in a real Stingray) and I hardly touched the EQ on it!
  • The second best bass I played on the day was the Xotic XJ5. Quite seriously the best sounding and playing super jazz bass I have played. Blows the Lakland, Sadowsky and Mike Lull basses out of the water. In fact, this is up there with one of the best basses I have laid hands on full stop!
  • Now I know why the Ampeg SVT is the STANDARD! I have never been able to crank one up like that. My basses sounded brilliant through it. If I could actually move one – and afford one, then I would now have one in my house. It probably wouldn’t get used on gigs unless I had a roadie, but it’d be nice to have for certain occasions!
  • I still love GK and Eden amps! For heavy full size amps, they are great and still have that sound I love. Thankfully for me I have 2 good friends who I could hit up to borrow theirs anytime! :)
  • I am actually happier now with my basses and amps than I was going into the day. I thought I’d get lots of G.A.S for basses and cravings for amps I once had and sold, but honestly, my rig does exactly what I want it to do and does it very well!! So well infact, that I think my sound at my gig on Saturday night was the best sound I have ever had!

So there you have it. A quick rundown on the Melbourne Ozbass GTG. A bit of an insight into what got my motor running in the world of bass guitars and a few shots of some rarely seen basses in this part of the world. If you are a bass player who loves gear, join up to the forum and catch one in a state near you soon!!

Oh – and the closest thing to a stock standard USA Fender Jazz? A MIJ Fender Marcus Miller bass!

Cheers

Dan

2010 Coming to a Close

December 21st, 2010 by dan

WOW! So another year goes by where I hardly write anything on this blog.

Well, one of my goals for 2011 is to update this regularly, and by regularly I mean at least once a fortnight. On anything and everything that has happened. There will hopefully be a lot of stuff related to my gigs and stuff like that. Maybe some more gear reviews, maybe even a bideo or two!

But for now, the end of another year approaches and what an amazing year it has been! Honestly where do I start?

Well, 2010 started with a bunch of gigs with my band at the time, Three Dudes and a Rock Chick. We were rocking out at the Swan Hotel in Richmond every weekend. Then at the end of Feb had a bit of a hiatus.

During this time, I did a week long personal development course thing. To work out where I was going with my life and get my priorities in order. I also met an amazing lady. :)

In April my beautiful daughter turned 1. All year she has provided me with smiles and laughs, hugs and kisses. She is the light of my life. She is what gets me through my rough days at work and the reason why I spend my Saturdays playing in a band to make a few extra bucks.

She is now walking and talking and turning into a very cheeky little lady!!

So that leads me to probably one of the highlights of the year. My band getting back together with a slight lineup and name change (Dr Shred and the Electric Mayhem) and gigging every week since June! 7 months of shows and even better, they are continuing in 2011. Week in, week out, I am playing with 3 of the best people I could possibly play with. Jase, Paul and Christian have taken my playing to a whole new level.  Check out their sites and if you are looking for a guitarist or drummer for your next session hit any of them up. Paul is a bit of a monster behind the kit as well!

I also had the pleasure of helping the wonderful folks at Thump Music out this year with clinics for both Victor Wooten and Marcus Miller. In fact, I got to spend a lot of time with Marcus, including dinner over 3 nights. It was fantastic to see how down to earth a man of his talent is and to listen to his stories from his playing career.

At the Wooten clinic I also befriended the brilliant Pavel de la Fuente. This man builds amazing basses and one day I hope to be able to afford to have him build me one! Check them out at www.pavelmi.com

I’ve been doing a bit of travelling to Sydney, as that is where my amazing girlfriend lives, and am starting to find that it isn’t too bad of a place! :p

I have also been spending a heap of time on Twitter this year. I like to post random rubbish on there and also follow some amazing people. Feel free to stalk me on there and then follow some of my twitter friends – they are all amazing!

Anyway, that about sums up the year, in a nutshell. Look forward to writing more about my thoughts on the world over the next little while.

Have a safe Christmas and New Year and see you in 2011!

Love Dan

Amp Review: TecAmp Puma 1000 and S212

July 21st, 2010 by dan

OK – So I had my first gig with the TecAmp rig on Sunday arvo. My regular coverband – playing mostly rock stuff from the 70s – today. I rock up and show it off to the guitarist and he asks, “will that little thing be loud enough?”. I turn around and inform him that I am running the Puma 1000 bridged at 1000W @8ohms, I think it’ll be fine.

I plug in and have a little play with my “home” settings – basically, a tiny bit of boost on the lows and low mids. Everything else flat. The bottom end is quite boomy so I set the head flat and decide to just run the EQ from my Stingray 5.

The sound was just magical. Obviously, plenty of lows and mids, super punchy (something that had really been missing from my Schroeder setup) and clear highs – sounded esp great on some of those Duff Mckagan fills in Paradise City.

I sent Jon at Thump Music a message after the gig saying how I had found the sound that I have been searching for for a long time. It had all the lowend and punch that I have been craving since I sold my Labsystems monster cabs (410HPX and 210HP) and still all that clarity in the highs that I loved about my Schroeder cabs. The very light S212 cab just nailed it.

I got a few comments from the crowd about how great it sounded, including Bassman_Panta (Matt) who came down to check out the gig – and has seen my rig evolve over the last year or so. He commented on how great the bass sounded before he even got in the venue!! :D And after one of the sets told me that I was not helping with his G.A.S (we are talking about a guy who runs a Eden WTX-1000 and 2 Eden 410 cabs!).

I can’t get over how easy it was to get such a great sound out of the Puma 1000 head. With my old Markbass LMII I was tweaking constantly to get the warmer sound that I love (my Eden WT-800A is somewhere around the benchmark for me). The Puma just nails it straight out of the box – but the cab helps a lot too. As I mentioned in my previous post – I had compared my old Schroeder 1212L to it and the Schroeder was more dominant in the mids and highs, whereas the TecAmp has the kick in the lowmids that I am absolutely loving.

I had been considering a TecAmp 410 or 610, but honestly, after the gig on the weekend I don’t think I need another cab for this – esp given the fact that my band will be playing this venue for 4 months from June and the load in and out with this cab is easy peasy!!! I think I could almost get my loadin back down to 3 trips.

Oh, and given the Puma head is such a little head, and I have it rackmounted, one of the things I love about it is the fact that the DI is on the front – I no longer have to fiddle around inside the back of the cab trying to get that cable plugged into the right spot!!

This rig really is everything I loved about a big heavy rig packed into a small lightweight rig that is a dream to take to gigs.

I think my WT-800A may be on the market very very soon!!!

Thanks Jon for bringing in such an amazing product to this country!!

LAVA CABLE Blue Demon Cable Review

May 20th, 2010 by dan

LAVA CABLE BLUE DEMON REVIEW

Well thanks to Jon at Thump Music for sending the Lava Cable Blue Demon my way for a review. Let me start by saying for a cable, this has some great packaging – plastic bag with a cardboard insert that clearly shows what you have in your hands. In my case, the 15ft straight to straight. Currently I am using some Canare GS-6 cables with Neutrik plugs – a very solid feeling cable with a very clear sound, something I can’t fault – so the Blue Demon has a lot to live up to. Just for comparison the Blue Demon comes in at $69.95 inc shipping from www.thumpmusic.com.au, the Canare cost me $80ish for a 20ft cable.

First impressions, the Blue Demon is thicker than the Canare (and most other cables I have used) and feels softer. It is also a dark blue colour – which means that as long as no one else in your band is using one, there is no mistaking who’s cable it is. The plugs appear solid. I am going to assume they use the G&H plugs on these, like they do on most of their other cables.

Time to plug this thing in. I prefer to use right angle connectors at the intrument end, but hey, I am not going to complain when people are sending me things to review!! Now I gotta admit – I am not a massive tone freak, but I do like to use cables that are going to last the distance, so in terms of sound, I can’t tell a real difference between this and the Canare. It is solid across the entire sonic spectrum. Highs come across clearly – I even plugged it in with my Strat® copy – and not lacking in any way. Lows are solid as should be expected.

So given, I can’t tell much difference in the sound, how about its performance as a working muso’s cable? I have only had the chance to take it to one rehearsal, and it gets kicked around my music room. So far it seems it will go the distance. It wraps easily, it unwraps easily and doesn’t seem to twist anywhere near as much as my Canare cable does – which is great! The other thing I noticed is that the solder joints are covered in heatshrink, a nice touch to add additional strength to the durability.

THE VERDICT: This is a solid cable that easily matches it with what is considered one of the best for live use out there. It is affordable, being priced the likes of Planet Waves and pre-made Canare cables. A great sound and very durable. This will definitely continue to get used on my gigs.

Thanks again to Thump Music – http://www.thumpmusic.com.au

http://www.lavacable.com

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